Painting Abstracts On Location


[mp3:http://spacefold.com/colin/ps/mp3/Abstracts/painting_abstracts_hifi.mp3] 192kbps MP3

Notes

Chorus in 7/8 time, verses in 4/4. Pulsing guitars, sustaining keyboards, offbeat bassline, jazzy middle section. Walter and I collaborated on the chorus lyrics, which are perhaps a little too busy. In the last couple of years I threw out the mediocre verses and replaced them with new ones that actually told a real story. Much improved.

I am very proud of the jazzy piano in the middle section, it took a lot of practice. Walter could have played something more interesting in just a few takes, I expect, but he wasn't around to do that.

Instruments

Lyrics

Across the room I saw your face
You caught my eye with a hesitant smile
I took you home, showed you the place
I remember your words, you said:

   I'm painting abstracts, on location
   faking a picture and signing my name
   Painting Abstracts, no salvation
   from the painful pictures that collect in my brain

   Painting Abstracts, my creation
   is the one way I know, and it's never the same
   Painting Abstracts, one solution
   is disolving the memories, and forgetting the shame

Under your sleeve I saw the scars
You told the truth and not the usual lie
a secret wrapped inside the past
a line was drawn, I turned and looked away

Across the years, I lost a friend
Not suicide, but a stupid disease
I should have seen you at the end
Regret is a stone, in my head

   We're painting abstracts, on location
   ignoring reality and enduring the pain
   Painting Abstracts, on probation but 
   we're robbing the bank to keep playing the game 

   Painting Abstracts, our protection is
   the color's so vivid we don't have to explain
   Painting Abstracts, on location
   we're taking a remedy, that is keeping us sane. 

music & lyrics © 1990/2011 Colin Nicholls & Walter Nicholls

From the archives: Early Stages

(These tracks have been taken from a series of very old cassette tapes on which we used to record all our ideas, many years ago.)  

The first relic features a Roland Jupiter 6 and Korg Polysix. I don't own the Jupiter anymore (stupid, stupid...) but I think Walter has the Polysix in working order still. The second relic demonstrates the power of the Korg M1 sequencer, if not the talents of the guitar player... for dedicated fans only, I'm afraid. The chord sequence of the middle section is the same, yet completely different.

Coming up with the riffs (1989)
[mp3:http://spacefold.com/colin/ps/mp3/Abstracts/early_stages_1989.mp3]

Taking Shape (1989):
[mp3:http://spacefold.com/colin/ps/mp3/Abstracts/early_stages_Nov1989.mp3]

 

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