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Painting Abstracts On Location


 196kbps MP3

Notes

Chorus in 7/8 time, verses in 4/4. Pulsing guitars, sustaining keyboards, offbeat bassline, jazzy middle section. Walter and I collaborated on the chorus lyrics, which are perhaps a little too busy. In the last couple of years I threw out the mediocre verses and replaced them with new ones that actually told a real story. Much improved.

I am very proud of the jazzy piano in the middle section, it took a lot of practice. Walter could have played something more interesting in just a few takes, I expect, but he wasn't around to do that.

Instruments

From the archives: Early Stages

(These tracks have been taken from a series of very old cassette tapes on which we used to record all our ideas, many years ago.)  

The first relic features a Roland Jupiter 6 and Korg Polysix, neither of which we still have. Shame really - they made some pretty good sounds. The second relic demonstrates the power of the Korg M1 sequencer, if not the talents of the guitar player... for dedicated fans only, I'm afraid. The chord sequence of the middle section is the same, yet completely different.

Coming up with the riffs (1989)

Taking Shape (1989):

Lyrics

Across the room I saw your face
You caught my eye with a hesitant smile
I took you home, showed you the place
I remember your words, you said:

   I'm painting abstracts, on location
   faking a picture and signing my name
   Painting Abstracts, no salvation
   from the painful pictures that collect in my brain

   Painting Abstracts, my creation
   is the one way I know, and it's never the same
   Painting Abstracts, one solution
   is disolving the memories, and forgetting the shame

Under your sleeve I saw the scars
You told the truth and not the usual lie
a secret wrapped inside the past
a line was drawn, I turned and looked away

Across the years, I lost a friend
Not suicide, but a stupid disease
I should have seen you at the end
Regret is a stone, in my head

   We're painting abstracts, on location
   ignoring reality and enduring the pain
   Painting Abstracts, on probation but
   we're robbing the bank to keep playing the game 

   Painting Abstracts, our protection is
   the color's so vivid we don't have to explain
   Painting Abstracts, on location
   we're taking a remedy, that is keeping us sane. 

music & lyrics © 1990/2011 Colin Nicholls & Walter Nicholls

January 26, 2012 14:02 by colin


A Sample of One


 196kbps MP3

Notes:

This little instrumental was hiding inside my Yamaha nylon-string guitar in 1989, and took shape in 1990 when the relatively new Korg M1 sequencer allowed us to throw some strings, drums, and acoustic bass at it.

For the longest time this piece was "Untitled" but recently one seems to have become appropriate.

Finally last year I re-recorded this track, but I was having trouble settling on which guitar to use. I couldn't record a version that had the same quality of sound that the original demo had. 

Most recently I completed the track this month, using my Ovation Balladeer, recorded using a Zoom H2 portable recorder as a stereo feed into my computer. 

Instruments:

music © 1990 Colin Nicholls

January 24, 2012 09:51 by colin


Playing with the Big Boys

 196kbps MP3

Notes

This song is made up of three themes that seemed to want to be in the same piece together. Walter and I collaborated on the music and lyrics. As I recall, Walter had an alternative set of lyrics and melody for the the bridge section, but alas, we don't have a recorded version of that.

Instruments

From the archives: Early Stages

Diving back into the cassette archives turns up some interesting fragments. I try to do this research before finalizing anything in the project, in case there is something worth recapturing - an odd note, a turn of phrase, or something, that was present in the early versions and deserves to be retained.

However, in the case of this song, I think we got everything we were looking for. These (edited) historical archives are for true fans and paleontologists only:

Themes 1 (1988)

Themes 2 (1988):

Themes 3 (1990):

Instrumental demo from 1990:

Lyrics

I watch them run and jump and play outside my window
I want to go out and join in the fun
Mother tells me no, she says that I'm just too young
They play too rough, and I'll get hurt in the end

      She stops me playing with the big boys
      Playing with the big boys
      Playing with the big boys, is where I want to be

Watch them throw and catch the ball, down in the park
I want to go down, and join in the game
Sometimes is rough, being the smallest kid
When they choose the sides, I'm always left at the end

      I want to play with the big boys
      play with the big boys
      playing with the big boys, is where I want to be

And one day, when I am big and strong
I'll walk through the gate, and feel I belong
And when I get there, will it have to be so hard?
the big boys are playing in another back yard

      Playing with the big boys
      Playing with the big boys

At night, when Mother tucks me into bed
I always dream, of staying up late, instead
In the morning, though I have grown by one day
I'll always be too young, to be a part of their play

music & lyrics © 1990 Colin Nicholls & Walter Nicholls

September 12, 2010 09:07 by colin


Head in the Game

196kbps MP3

Notes:

I remember this coming together musically very quickly out of a jam session shortly after we bought the Korg M1, but although we had the lyrics shortly afterwards, I never tried putting them together until a couple of years ago.

Instruments:

Lyrics:

You're going for the high score in your artificial landscape
Conflict with the secret code of honor of machines
Accumulating hit points with a ruthless manic fervor
Slipping past the traps and pitfalls pictured on the screen

Don't you realize, there isn't an escape key
You can’t expect to exit without feeling any pain
Activating laser beams to edit out your problem
Gain an extra life and stay ahead in the game

Gambling on your past performance, dicing up your chances
proposing winning gambits but your deck is always stacked
Dealing false alternatives, and aceing their decisions
You know the turning card will be the Joker in the pack

Don't you realize, that there isn't an escape key
You can't expect to exit without feeling any pain
The dealer hits you with a card to edit out your problem 
Counting on the river puts your head in the game

     All I did was get a replay
     All I did was play the game
     Thought I'd figured out the answers
     But somehow all the rules had changed

You're Rolling up your characters and challenging the circle
Hiding from your conscience in a world of mystic themes
passing off as casual friends subverted to your service
escaping intact from the danger vivid in your dreams

Don't you realize, that there isn't an escape key
You can't expect to exit without feeling any pain
Casting double sixes to edit out your problem
Multiply the bounty on your head in the game

Don't you realize there isn't any future
Hiding in your habit where no-one can point the blame
Rocket jumps and bunny hops will beat the low-ping bastard
Real life re-targets on your head in the game

music & lyrics © 1989 Colin Nicholls & Walter Nicholls

 

July 20, 2010 19:17 by colin


The Great Escape

196kbps MP3

Instrumental introduction to the album, heavy on the strings and reverb.

The MP3 conversion seems to have squashed the dynamics a bit. There's supposed to be quite a crescendo at the end there...

Featuring:

July 20, 2010 14:04 by colin


Cloud Chamber

196kbps MP3

Notes - December 2005:

Cloud Chamber is the first completed track of a suite of instrumentals, a side-project which I have tentatively dubbed "Maxwell Tangent's Divergent Thinking". Musically it's ambient, techno, loop-based instrumental music with plenty of guitars and processed natural sounds. But it's early days, it could end up going in a different direction. I hope to have each track segue seamlessly into the next one in order to make one long piece of music. So far the tracks are being written in reverse order, because Cloud Chamber is the final movement.

I was working on this track on the later half of 2001, and therefore I've dedicated it to the victims of the World Trade Center attack in September 2001.

Equipment:

November 3, 2008 18:55 by colin


About

In long-distance collaboration, my brother and I continue the never ending task of writing and composing songs and instrumentals for our forthcoming album.

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